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International highlights
2023: My Self, the (Unfamiliar) Roots 6-hours live performance experiment one, video screening open-air and artist talk, Studio Plesungan, Solo, IDN
2023: ‘The Construction of Identity’ workshop and artist presentation at Kaliwungu Festival, Kaliwungu, IDN
2023: ‘The Construction of Identity’ workshop open-air at Studio Plesungan, Solo, IDN
2023: Monstruo de Agua short docu published on Nowness, following the process of Lisette Ros conducting performative research for The Absence of Metamorphosis in CMDX, MEX.
2023: The Absence of Metamorphosis “Presence in Absence” piece one exhibition and live performance, Casa Lu, CDMX, MEX.
2023: I’ll dance as fast as I can live performance Special ‘Art Nou’ Edition at Piramidón Centre d’Art Contemporani, Barcelona, SP.
2023: I Bruise Like A Peach live performance launch at Time is the New Space, Rotterdam, NL.
2022: My Self, the Fetus live performance and residue installation at The Stage, Het Nieuwe Instituut, Rotterdam, NL.
2022: My Self, the Fetus live performance and residue installation at Aliceex exhibition, Apiary Studios, Londen, UK.
2022: My Humanoid Self, (Heavy) Metal live performance and installation at gallerí Korpúlfsstaðir as part of tunglið tunglið taktu mig exhibition, IS.
2022: My Self, the Fetus at The Curators Room – La Oficina Barcelona, Barcelona, SP.
2021: AiR at Marina Abramovic, Peloponnese, GR.
2021: Launch of My Self, the (First) Breath (2021), live performance and installation, IS.
2020: The Mirror (2019) & …Elk rondje is anders during Quarantine (2020), video works, stream performance launch, Barbara Thumm Galerie, Berlin, GR.
2020: Reframing Conventions during Quarantine (2013/2020), video work, Straight Through The Wall, New York, USA.
2020: The Mirror (2019), video work and prints, Oped Space, Tokyo, JP.
2019: TRANCE, collaboration with Asian Dope Boys (Tianzhuo Chen), live performance and video work, MWoods Museum, Beijing, CN.
2018: Launch of My Self, the Body, live performance and installation, SXSW (South By SouthWest), Austin, TX, USA.
2016: Reframing Conventions (2013), live performance intervention, La Biennale de Architettura Venezia, Venice, IT
2015: Reframing Conventions (2013), live performance and installation in Opera di Santa Croce, IFFTI Polimoda Conference, Florence, IT.
COLLABORATING MUSEUMS
- TRANCE (2019), collaborative project with Asian Dope Boys, video work by Tianzhuo Chen exhibited at Frans Halsmuseum, Haarlem, NL.
- The Mirror (2019), video work exhibited at MOYA Museum, Oosterhout, NL.
- My Self, the Fetus (2015), live performance and special audio piece at Het Nieuwe Instituut, Rotterdam, NL.
- Getting Dressed (Ritual) (2022), live performance stream from Iceland in Het HEM as part of Het HEM & Friends during Amsterdam Art Week, Zaandam, NL.
- The Mirror (2019), live performance and video loop, EYE Film Museum as part of the Cinema Ecologica program, Amsterdam, NL.
- Together Alone for INTERBELLUM #2 (2020), live performance and installation with Guido Dutilh and Gabriel Rolt, Het HEM, Zaandam, NL.
- Reframing Conventions during Quarantine (2013/2020), video work of performance at Hotel Mariakapel as part of ‘Corona in de Stad’ exhibition, Amsterdam Museum, Amsterdam, NL.
- TRANCE (2019), live performance and video work in collaboration with Asian Dope Boys, Mwoods Museum, Beijing, CN.
- My Self, the Other (2017), live performance and installation, Goethe Institute, Amsterdam, NL.
- My Self, the Body (2018), live performance and installation as part of ’The Man Machine’ exhibition, EYE Film Museum, Amsterdam, NL.
- Reframing Conventions (2013), live performance and installation, EYE Film Museum, Amsterdam, NL.
- In No Particular Order (2017), live performance intervention in collaboration with Duran Lantink and Jules Lang van den Langenberg, Van Abbemuseum, Eindhoven, NL.
- The Time Ceremony (2016), live performance in collaboration with Barbara Langendijk, Van Gogh Museum, Amsterdam, NL.
- Untouchable (2014), collaborative live performance by Boychild and Wu Tsang (2016), Stedelijk Museum, Amsterdam, NL.
© Lisette Ros